More significantly, he reintroduces the hungry young MC entrenched in Hip Hop that many of his late-to-the-game haters overlooked. Across the 14-song LP, he triples down on his TED Talk-esque messages of positivity and delivers what feels like a heartfelt thank you and pep talk to his biggest supporters. The fourth and (as we find out in the intro) and alleged final installment of the Young Sinatra series, unlike Everybody or Bobby Tarantino II, comes across as a hybrid of both Mixtape and Album Editions. It’s drenched in boom bap, big bars, and bops that mostly work well as a collective piece of art. His latest release - Young Sinatra IV - is mainly for these fans. While the bi-racial artist, who used his own experience to (conceptually) confront a multitude of racial and social issues on his album Everybody, has become a punchline for the industry’s staunchest gatekeepers and most hardened fans of “keeping it real,” anyone who would even refer to his mixtapes generally has been along for the inspiring rise to notoriety. Hilariously addressed by Rick & Morty in the intro to his last release Bobby Tarantino II, this particular multidimensional overview serves to - more than anything - illustrate the depth of his fanbase. It has long been established by fans that there are two very distinct variations of Sir Robert Bryson Hall II: Album Logic and Mixtape Logic.
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